Wednesday, 25 September 2013

Use Your Words

Sexual violence services in New Zealand are chronically underfunded. Wellington Rape Crisis is currently funded by Hell Pizza, who only gave them shut-up money after they rewarded a Facebook user with pizza for sexual assault.

But! "After a lot of hard work and a brave, confronting campaign lead by Green MP Jan Logie, Parliament has finally agreed to hold an inquiry into the funding of sexual violence services." Coley goes on to list why these services are important and I suggest you read the whole post.  

If you're still not convinced, head over to The Lady Garden, for detailed information on making a submission, and (thousands of trigger warnings), a gut-wrenching personal description of sexual assault. (more trigger warnings).

But really all you need to do is click here and make an online submission. One in four New Zealand women and one in ten men will suffer sexual violence in their lifetimes. This issue matters, and it matters to you and your loved ones. Use your words and tell the government why we need to fix this.
1. To cook marmalade in a pressure cooker, first slice your whole, scrubbed citrus finely. I used third-hand grapefruit, which someone from some fecund suburb gave to a Coworker, who gave them to me.

Friday, 20 September 2013

"My Body, My Organic Lube."

Isn't Twitter just the most wonderful thing? Not long after I posted #FemCAH, someone who I've never met asked if they could make one too. (Of course! Everyone can!)

Sunday, 8 September 2013


Feminist Cards Against Humanity

The humourless feminist is a pretty persistent myth. She's a dumb bitch who can't take a joke, always making a fuss when really we have equality now amirite ladies. It's a myth made up to silence women. Can't you take a joke? And it's just that - a myth. I don't know what feminists you're hanging out with, but the feminists I know are some of the funniest people I've ever met.

Still not sure if these Feminist Cards Against Humanity cards have too many in-jokes.

The humourless feminist myth is a part of the culture we live in. The thing about culture is we don't just absorb it - we shape it, either through actions or silence.

Mixing feminist cards against humanity with the original funny CAH.a

I've written about Cards Against Humanity before. (If you've never heard of the game, go read that post.) It's a good example of bro-culture. In the original version of CAH, everyone has a penis and rape jokes are funny.

This is a screenshot from Questionable Content which is a rad webcomic and you should read it. It's not about bros.
via Questionable Content

But the game doesn't have to be played like that. It's released under a Creative Commons BY-NC-SA 2.0 license. "That means you can use and remix the game for free, but you can’t sell it."

I made a sanitised deck, removing all the rape jokes and Americanisms, and about half the boners. (You can download the PDF here.) To replace the cards I removed, I made my own deck, which has a lot of stuff specific to the female experience, like "period clots" and "skorts" to balance the bro-ness inherent in CAH. (You can download that PDF here. Remixes of CAH like this one are also under Creative Commons licensing, so you can correct that typo if you want, but I'm not going to bother.)

Feminist Cards Against Humanity kicks that up a notch. The jokes are about feminism, and being feminist, the struggle and how far we have to go still and damn if you don't laugh you'll cry.

Feminist Cards Agains Humanity uses the word "Mooncup" twice.

"Non-feminists" (by which I mean "people who didn't take any Women's Studies papers" not "raging bigots") will probably won't find this deck funny. That's because it relies on jargon. Every group has jargon. My pals have a joke which about the difference between Python and JavaScript or Pearl and Ruby - or anyway, there's these two programming languages and they're different and just because I don't understand why that's funny it doesn't mean it isn't. It just means I didn't take any CompSci papers. The onus is on me to repair this gaping hole in my knowledge, rather than demand that jokes only be told on my level. It's the same with this deck - if you don't think it's funny, it's probably not the joke's fault and when you're Card Czar you can always make the winning card about boners, every time.

FemCAH will answer all your questions about feminism.

There's not enough feminist Cards Against Humanity cards to make up a full deck, so mix them in with the deck you already have - and when you're playing with people who don't speak feminist, either take each card as a teachable moment, or institute a house rule which allows for the setting aside of confusing cards. I play by the latter as I can barely explain "intersectionalty" sober, and CAH is a party game which is enhanced by a certain level of intoxication.

Some Feminist Cards Against Humanity Cards refer to me personally.
Speaking of sobrioty - if you're going to hashtag, may I suggest #FemCAH rather than #FeministCAH to reduce typos. If you're feeling mischievous, you might also tag #CAH so it shows up in searches for the original game.

Finally, if you've played and enjoyed the game, please leave me a nice comment saying so. If you have a wicked idea for a card, leave that in the comments too.

Thursday, 22 August 2013

Spooked

When your personal and professional goals line up - how nice is that? For work, I went to a Scream Park, and chatted to my professional equivalent, wrote a blog post, and took some photos for our Facebook page. Write more. Take more photos. Who doesn't have those goals?


(Part of the point of the exercise was to give good google to the place where I took the photos, so I won't name it, then say confusing things about nightmares and ghosts in the same breath. I am aware of, and bitterly mourn, the SEO I'm sacrificing.)

I was nervous about visiting the haunted house. I get scared. I don't seem to have the shell some people do, to withstand being spooked. "I've been to the Scream Park, and didn't find it scary at all," said my Flatmate, "All the actors were crowding around me and I was just like, 'what? Are you meant to be terrifying? Because you're not.'"

There's a theory that we use horror to deal with the trauma in our lives in an allegorical manner. That's why Japan is famous for kaiju, monster movies - they're used to process trauma, current, past and future.

Japanese movie poster for the 1956 film Rodan.

Kaiju represent earthquakes, tsunamis. Vampires are allegory for sex and sexuality. Movies about zombies are really about viruses: swine flu, SARS. I wonder if gothic stories are New Zealand's brand of kaiju. If it's a way of dealing with the deep vein of depression that runs through this country, the loneliness that comes from living on an island, the quiet, persistent feeling that nothing is really as it seems, that maybe everyone is crazy, or else I am. Or if it's a literary convenience, and, like the good keen man, never really existed. 

I have nightmares, sometimes. They're infrequent, but very unpleasant. About once a year I scream in my sleep loud enough to wake myself. (Pause for a moment and imagine what that is like.) 

After I had a screamed myself awake from a dream about a ghost-witch riding a giant spider, it occurred to me that my subconscious has a complete list of everything that terrifies me, and pull up images at random. Ghost-witch on a giant spider isn't an image from kaiju. It's just a dream I had.


My life is extraordanarily blessed in many ways. I don't want to suggest I've survived some awful trauma, because I really haven't. As I write this, I am warm, my rent is paid, and I know myself to be loved. But when I think of when the nightmares started - they started in adulthood - I think, well there was that, and yeah, maybe

My Equivalent told me ghost stories. There's a grey nurse, who walks. (He's never seen her, but others have.) Doors lock themselves. Once, some children visiting the Scream Park saw an inexplicable mist. (They screamed. A staff member told the mist to go away, and it did.) 

They have to get the building blessed periodically, otherwise the disturbances build up, as the ghosts get restless. 

I don't believe in ghosts. They're a comfort for the narrow-minded and the spiritual. If you believe in ghosts, you believe in an afterlife. Is it comforting to think this all goes on, and you can rattle your chains down the centuries, or would you rather leave it all behind with your mortal flesh?

 
I have one nightmare more than others. It leaks over into my waking life, a little bit, sometimes overtaking me and making familiar corners and doors breifly terrifying. It's nothing I've seen or experienced - nothing I can recall ever seeing anywhere outside my imagination. It was represented at the Scream Park, my nightmare made flesh. Or, I should say it was made puppet, because of course it was only a ratty old mannequin pretending to be scary. I didn't take a photo. 

I don't know how I'll sleep tonight. I wonder if seeing it, made real, will help deal with the nightmare or bring it back to me. 

Not believing in ghosts doesn't stop me from being afraid of them.

 
At one point during the tour, I lost my Equivalent, and had to hallo out for him. There was a dim room behind me, filled with a looped recording of laughter and a baby's cradle. Ahead there was darkness. It was a thick, velvety dark. More then that: it was a darkness that was nothing, like the darkness between the stars on a clear night. The floor had disappeared beneath me, and if I took one step I would fall. Then my Equivalent called back directions, and suddenly I was on solid ground again.